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letterpress

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Depot year in pictures

We were excited to see so many of you at printing events this year. And we were touched by how many of you also donated to help us get our Depot home in shape for occupancy. Thank you. You still have a few minutes to make a 2024 donation (although of course we will happily accept them in 2025 as well😉). As always, we are grateful to the State Historical Fund for believing in and supporting our project.

See you in 2025! Follow us on Facebook, Instagram, Twitter, and NEW** on BlueSky. Email info@letterpressdepot.org or call/text 720-4805358 anytime.

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Next up: Small Press Fest, Saturday, March 30

Letterpress Depot will be at Small Press Fest March 30th from 11-4 along with 70 zine, book, comic, print and other DIY makers at the Globeville Center. Our prints are still up this month at the wondrous Spectra Gallery. Thanks to everyone who came out to see us last week at Belleview Park and at all our Open Studios - from Englewood to Fort Collins! Here are just some pix of the inky fun.

Some more details: Globeville Center is at 44th and Grant; Spectra Gallery is at 1836 South Broadway. You can contact us at info@letterpressdepot.com or call 720-480-5358. Follow us on Facebook, X and Instagram. See you somewhere!

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Fore? Four!

A different typeface for our countdown (we have thousands!) ,but the same message: Please donate! There are four days left to give to the Depot via Colorado Gives between today (Sat., Dec. 2) and Colorado Gives Day (Tues., Dec. 5). Of course, you can donate anytime (yes!), but this campaign gives us incentive funds based on the money we receive. This year the funds go towards getting heat into the building.

Many thanks to all who have already donated. If anyone wants to donate in a different way other than Colorado Gives, or to volunteer, please email us or call/text 720-480-5358. Follow our website, facebook, Instagram and X posts.

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Busy days inside and out

Inside the Depot…bracing up the ceiling and rafters to repair structural rot

Outside the Depot…printing a Skate Board poster designed by Dave Lasjowski II at Cushing Park to celebrate its Skate Park. Part of Englewood’s Neighborhood Nights.

Print with us August 5, 10am-2pm, Englewood Civic Center. And at Englewood Block Party August 26, 4pm-8pm, 3400 S. Broadway. Donations more than welcome anytime to help the work that needs to be done. One way to donate: Colorado Gives. Click here. With thanks!

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Getting inky at book fair

Great meeting people and printing with them at the recent Rocky Mountain Book & Paper Fair at the Douglas County Fairgrounds. Three presses kept busy by board members Tom Parson, Bryan Dahlberg, Ian Van Mater, Marc Silberman and Dave Laskowski II.

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Busy May (but wait, how is it almost over?)

An unwelcome surprise this year was the discovery that the Depot’s main structural beam and other supports had rotted. But this month, temporary vertical supports to hold up the roof were erected, the old vertical and horizontal beams replaced and the temporary ones removed. All part of the rehabilitation funded by the State Historical Fund and donors like you.

We also did more printing with elementary school kids - at Bishop, Cherrelyn and, below, at Charles Hay World School.

Board members Kirk Benson and Dave Laskowski II. Kirk also is an arts specialist in Englewood schools.

Then it was time for the Rocky Mountain Stamp Show at the Arapahoe County Fairgrounds. Some samples of what we printed: Board member Marc Silberman designed the vegetable laden-tribute to Colorado agriculture for the event and Executive Director Tom Parson had fun printing various cuts.

Also some great railroad finds at the next door ephemera show!

Volunteers always welcome! Englewooddepot@gmail.com or call 720-480-5358.

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Busy times for Depotians! A steamroller and much more!

While board members Dave Laskowski II, Kirk Benson and Elanor Harris were designing and carving a large MDF board for the steamroller event…

… Tom Parson and Marc Silberman were printing with students at Bishop and Cherrelyn Elementary Schools in Englewood, thanks to Kirk who is a teacher at both schools. They also taught printing to some adults at Marc’s studio the same day.

Tom also was on a quest to see what was salvageable from two of Dana Smith’s presses burned during the Marshall fire—sadly not much—and from artist/photographer/designer Glenn Cuerden’s incredible archive of work, damaged by a broken water pipe.

The first of MANY rescue carloads for Glenn’s collection. More on that work in a later blog.

Because now it’s time to see the Steamroller event at Rocky Mountain College of Art and Design! Elanor, Depot president Ian Van Mater and Erin Rademacher put ink and more ink on the board, then laid it on the ground, covered it with plywood and let the steamroller roll!

Here are a few of the other prints steamrolled that day!

So much has been going on since our Open House tour as part of Mo’Print in March. Thank you to all who came.

If you missed, or want to do/see more (we always have more to do, more to show) come to our meetup Saturday April 23 - englewooddepot@gmail.com or 720-480-5358 for details.

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#meetapressMonday Come see us in person Saturday 3.26

Open Studio Tour Saturday 10-4 as part of Mo’Print, the Month of print. Come see our presses, with many in action!

Here are just some of the presses you will see - more will be shared other days this week!

Gordon Franklin press - note the brass side arms!

Gordon Franklin platen, new style 10x15  ~1871

The Gordon Franklin, called “the single most famous and influential jobbing press of the nineteenth century” was invented by George Phineas Gordon, who is celebrated as having developed the basic design of the most popular printing press ever. He named this model the  Franklin because Gordon, a spiritualist, said that Ben Franklin had described it to him in a dream. Our model is a Gordon’s brass side-arm “new style”, that started to be manufactured in 1871 when the patent on the older version was expiring.

Jones Gordon  Press ~1890

Manufactured by John M. Jones. Jones, who first built presses for George Phineas Gordon, started building them on his own when Gordon’s patents expired.

C&P 10x15 at the start of a print run

by Chandler & Price -All these built on the model designed by George Phineas Gordon

7x11, old style   1898-910x15 old style  1902

8x12 new style ~1930

Bryan Dahlberg, Doug Sorenson and Tom Parson huddle around the Colt’s Armory Press

Colts Armory platen (on loan from Doug Sorenson) ~1887

The name given after 1887 to Merrit Gally’s Universal press, which he’d introduced in 1869. The former minister held more than 500 patents. John Thomson, who hated Gally from the first time he heard him preach as a child, ended up taking over manufacture of the press in a high noon standoff worthy of the Colt’s name. For more details of this history see https://bit.ly/3D4BXIy

Old Reliable platen press 8x12    1888

The Old Reliable was manufactured for just one year  by H.H. Thorpe (Cleveland Type Foundry). James Thorpe held many other platen press patents, which he later sold to Chandler and Price.  Used by hobby printer Jim Grisenti, it was donated to the Depot by Jim Fitzgerald in memory of printer Wimpy Miller.

Schniedewend & Lee Old Style platen  Manufactured between 1884-93

This press also was built on the foundations laid by George Phineas Gordon. The Schniedewend company also built the Reliance A iron hand press on our east wall.

Damon-Peets platen, new style 9x12 (on loan from Doug Sorenson) ~1893

Calling itself the “latest improved Gordon,”whose “style supersedes all other presses” and which can print 2,000 sheets an hour, it was made by Damon & Peets of New York.

Next up: the Depot’s smaller presses…stay tuned! Come see them all March 26, Open Studio 10-4

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A new old press, at home at the Depot

One of the Letterpress Depot’s most recent acquisitions – a Jones Gordon press, generously donated (along with other goodies) by Stacey Steers, David Brunel and Nena Restrepo-Gil of Boulder. THANK YOU!

After cleaning and oiling, Tom Parson got it rolling

After cleaning and oiling the press, Tom Parson got it rolling

A label on it says it was from “Chicago Newspaper Union. ” The donors got it a few decades ago from the weekly Dongola, Illinois, Tri-County Record, Its rollers were still wrapped in a six page issue dated June 15, 2000, which has an ad for “Does-the-Job Printing.”  A functional and historic addition to our printing museum collection! 

The press was manufactured between 1890-1903 in Palmyra, New York by John M. Jones. Jones made presses for George Phineas Gordon, who is celebrated as having developed the basic design of the most common printing press ever, the Gordon Letterpress. As Gordon’s patents expired, others such as Jones produced their own versions of his innovative machines.

The press has a treadle and several creative and practical additions to the original Gordon platen press. It has an easier new way to remove the chase, roller lifters so when you’re inking the press the ink doesn’t get on the form, and hand dial that adjusts the pressure—even while in the midst of printing - so you don’t have to open the packing to make small adjustments to improve the impression. And much more. The press is missing the sophisticated upper disk ink roller system noted in the ad, but has a detached small New Century inker.

Interestingly, Jones also invented one of the first typewriters or, as he called it, “Domestic Printing Machines”. His was only the third to reach manufacture—but the factory burned down after 130 had been fully or partially assembled.

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Thanks for the scheduled donations!

We are so excited to see some scheduled donations for Colorado Gives Day come in! THANK YOU! The actual day is December 7, but you can schedule your donation now. That makes us eligible for a drawing for extra money AND all money that comes in that day gets us a percentage match. Giving instructions below. But first, some pix of Depot happenings - “new” presses, type and printing.

To donate, go to https://www.coloradogives.org/LetterpressDepot/overview?step=step1 or just type in Letterpress Depot on ColoradoGives.org where it says “find a non profit by name.” Enter the amount you’re donating and then click on the green button to schedule for GIVES DAY. You won’t be charged until then. Your donations keep us going. (A recent visitor would’ve had me running)

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Channel 7 at the Depot!

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Channel 7 at the Depot!

For the first time, Letterpress Depot is part of Colorado Gives Day. That brought Channel 7/KMGH to the Depot to cover us as part of their story on the annual fundraising event. Special Programs Producer Kevin Krug interviewed Tom Parson and got to see some of the presses in action. It may air on December 3, which is Giving Tuesday, as a reminder to viewers that Colorado Gives is upcoming on December 10. Of course, you don’t have to wait until December 10, or even December 3, to give to the Depot! You can pre-schedule a donation for the Depot at ColoradoGives or give through this website on our Marketplace page.

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Could look at this woodtype all day

What a joy to see - glorious type made from pantograph-cut hand-finished hard maple. A visit to Virgin Wood Type Manufacturing Company in Rochester, NY was one highlight of the ATF conference our Executive Director Tom Parson went to this summer.   Co-founder Geri McCormick and Matt Rieck and Jim Grieshabe displayed their equipment and type including their newest chromatic type. 

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Fun with families in Sheridan

Depot executive director Tom Parson and board member Marc Silberman worked the roller proof press and the Curtis and Mitchell Columbian platen press for those attending Sheridan Celebrates on September 24, 2016.

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My $70,000 Printing Press

I have returned to the long journey of restoring, or resurrecting, a beautiful piece of antique printing machinery, the Campbell “Century Pony” flatbed cylinder press. It is a two-revolution press which, unlike the larger “drum cylinder” presses, uses a smaller cylinder that makes two revolutions for each impression on the horizontal bed that moves back and forth underneath. On the bed’s return under the cylinder, impression is avoided by a slight upward movement of the cylinder. 

The Campbell Century Pony presses were a great success and were made between 1895 and 1906, being developed out of Campbell’s earlier “Economic” model. My Campbell came with a counter that was dated 1897. This could be a good clue as to its production year. Moreover, during the life-span of a press’s production the number produced is usually weighted toward the beginning. (Yearly production numbers usually tailed off sharply in the final years.) The “Century” was marketed to the approaching new century, and most of the advertisements are seen in the mid-to-late 90s. For example, a picture in an article of 1896 depicts my press very accurately (From Printer’s Ink, Vol. 18):

The article states that the press weighs over 8600 pounds and is valued at $1600 – a pretty penny back then! One online source states that the average wage earner in 1890 made $1.53 a day and worked 279 days a year, thus making about $480 for the year. The Campbell was thus 3.33 years of wages for the average worker of the time. A low wage today ($10 / hr), at 5 days a week for 52 weeks gets you about $20,800 for the year. We might say that the Campbell would be valued at $70,000 in today’s dollars.  It’s a high-end “19th century flatbed cylinder press” in design and spirit, which was a major purchase for any upstart printer that took decades of hard work to pay off.  One question lingered for me: where was it born? 

Where the Campbell Was Built

A little research reveals that the Campbell Printing Press and Manufacturing Company originally built its own presses in Brooklyn but in 1879 the patent owners contracted with Mason Machine Works in Taunton, Massachusetts, to build the presses. It was a windfall for that company, and they expanded their operations. By 1893 some 950 people were employed.

A 1904 article in the Iron Age, Vol. 74, proves that Mason Machine works was still building the presses in 1904. Consequently, it’s almost completely certain that my Campbell was forged and built in this facility in Taunton, Massachusetts:

This is from an 1899 publication of the company. Shipping of presses west probably routed through Illinois. More research in Leadville might uncover its arrival and presence there. I wonder how and when my Campbell press made it to Colorado. There are several scenarios. It may have shipped new to the printing operation in Leadville, sometime between 1895 and 1906. It may have begun its work in some other town, and was purchased used at some later date. It went from Leadville to Arvada in the 1970s, where Mr Stoddardt used it to print posters for Lakeside Amusement Park. It supposedly hadn’t been run for 20 years by the time I heard of it in 2010. It was moved to my shop in Fort Collins in March, 2011.  Two weeks ago I inked up the press and flawlessly hand fed 20 newsprint sheets for a letterpress poster through the press. It took one minute, running at 1200 impressions per hour.  

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Raising the beast out of its cave

I found the little town in northeast Iowa easy enough, but had some difficulty finding the gravel road that led into the country, to the old farmhouse of the Stromberg family, where my printing press awaited.  

The weather-worn old farmer was sitting in his truck, waiting for me. The surrounding fields were chest high with corn, and the sturdy old family house was getting rough around the edges – a few broken windows, screen door flapping in the wind, tumbleweeds slapped against the barn. 

“We don’t live out here no more,” he said. “Grandpa was the printer, over in Elkader, and after he retired he kept a little shop in the cellar.”

We went around back, and he opened the cellar doors – old-style double doors that revealed concrete steps going down under the house. It was a dank, cobwebby place. Engine parts and tools were piled against the wall. Boxes and old furniture were stacked everywhere. Tom pulled a chain and a bare bulb illuminated the space.

“It’s over here,” he said, and shoved a dresser out of the way. Back in the corner, the iron beast with its big flywheel sat forlornly.

“Is this where he did his printing?” I asked.

“Yup. I can remember Grandpa workin’ down here, and all those little metal pieces of type. He did the church announcements and other things - birthdays and flyers fer raffles and what not.”

“Any other old printing stuff around?”

“Let’s see … this cabinet is part of it.” He pulled a tarp off a wooden cabinet and opened some drawers. Ding bats and type, wood furniture. Despite the tarp, a leaky window had dripped for decades and damaged one of the sides of the cabinet. But is was old hard wood, and still sturdy.

Lingering over the family treasures, the old guy seemed to dwell on old memories. Then he blurted, “Well, we got some type, some ruler things and gizmos here … whatever was for the printer is yours.”

Tom and I hauled the cabinet out of the basement ourselves – nine steps up, and tipped it into my pickup. I slid it toward the cab and roped it down.

Now I faced the main dilemma – moving the beast. I estimated it weighed about 1200 pounds. One strategy is to take it apart, which is not advisable due the likelihood of stuck gears and stubborn bolts. All advice was to definitely not fiddle with it, haul it straight out, if possible, and onto your truck.

I got my winch, chains, boards and rollers from my truck and started clearing a path to the stairs. Metal pipes would serve as rollers. Luckily it was already bolted to hard wood 2 x 4s. A heavy duty pry bar could be wedged under one of the leg supports, to lift the beast just high enough the get one of the rollers in on the corner. Then the other corner. Then the backside too. Once on rollers, you could push it pretty easy.

At the stairs, I chained it around and tied my winch around a tree outside. Then, downstairs, I pried the beast up to the first stair, yelling to Tom to crank the winch. We did this till it was angled up onto the stairs’ incline, tipping a bit precariously but in position. I climbed over and out the cellar, and slowly cranked the winch, one inch at a time. I climbed back into the cellar, and out again, back and forth, making sure it was clearing the steps. One false move, or broken chain, and its cast iron limbs would be shattered. As rain clouds blossomed and distant thunder threatened ominously, the iron beast rose slowly, slowly emerging from its cave of some sixty years.

An Old Style Gordon, 8 x 12 chase size, never motorized, with intact foot treadle. Nice. Complete, no breaks or welds. With the V-shape throw-off arm, so an early model. Probably about 1890. Letterpress printing, a dying art, replaced by offset in 50s, and computer laser printing in the 90s. But it was real printing, with metal type, impressing the page with the inked type, just like Gutenberg did over half a millennia ago in the 1450s.

Outside, the second challenge became apparent: Hoisting it up my wooden ramp into my pickup. “Wait a minute,” Tom said, and disappeared into the barn. A few minutes later a trench digger tractor emerged, with a big dump bucket on the front. “I see what you have in mind,” I said. “Let’s chain it up!”

Together, we strategically wrapped chains around the press and used the tractor’s bucket arms to lift the beast straight off the ground. I quickly back my pickup truck under it. Tom smiled at his ingenuity as he lowered it onto the bed. The rest was a mess of compression straps and ropes, a chore that always took me forever and made me feel like one of the Three Stooges, unraveling and retying endless knots. As the rain started plunking down, I bungeed a tarp all the way around. Wouldn’t want the beast to rust before we got home.

A couple hours of work, a few scraped knuckles, and it was mine. And $100. Tom had disappeared into the house. When he finally returned he handed me a book. A big old ATF type specimen book.

“Thanks, Tom,” I said.

“I was gonna scrap it,” he said. “But I just couldn’t bring myself to do it. Grandpa spent a lot of time with that machine. So I’m glad I found someone to use it.”

I waved as I pulled slowly away, with a 15-hour drive in front of me. Yeah, these old machines were discarded and scrapped wholesale in the 70s. But you still find a few around. Thank God for guys like Tom (and Craigslist), who make an effort to get them placed in caring hands. At 1200 pounds, he could have gotten $200 at the scrapper for it. ‘Course, you’d still have to haul that big old beautiful beast out of its cave. This is one beast that will live again, doing what it was born to do – press inked metal into paper and make books. Books that in all likelihood will far outlast digital printing.

(c) John Major Jenkins. Read more about his work: http://alignment2012.com/OakRootPress.html

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WWBD workshop

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WWBD workshop

The WWBD workshop - What Would Brad Vetter Do - was a weekend of pressure plate printing, wood type, ice cream (in honor of Hamilton) and a lot of fun. A $200 level perk for the Pressing On film, it brought people from around the country to Denver.  Jason Wedekind, Tom Parson and Jeff Shepherd filled in for Brad at Genghis Kern. Slideshow of the printers and their work below.

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